methods

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3770523792
978-3770523795
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All Rights reserved
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Description (in English)

Not everything that becomes the past is destined to be lost. There are methods of sanctification and tabooing that create a culture of sharp boundaries, solid contours, and lasting resistance to creeping change. Such procedures, which put an end to the flow of tradition, include canonization that determines what needs to be remembered and censorship that excludes what needs to be forgotten. The volume tries to fathom in individual case studies, which historical challenges are there, which put life - to speak with Nietzsche - under the contrast of burning and smoking. The cover picture represents an allegory of the Jurisprudentia. The ceiling painting by Rudolf Gleichauf in the Alte Aula of the University of Heidelberg (1886) symbolizes the connection between canon and censorship, in the sense of that Jewish tradition, according to which God knows book and sword, sefär we-sayif, from the sky.

By Hannah Ackermans, 8 December, 2016
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Abstract (in English)

As new ways of sharing stories emerge, how does this impact on our writing processes, the ways in which they are informed by previous practices, and the development of new possibilities? Technologies shape stories (Zipes, 2012, p. 21), yet as digital texts take on ever more varied forms – multimedia, sensor-driven, embedded in objects and located in landscapes – contemporary writing practices remain linked to the production of the printed book (Bolter, 1991, p. 5). This paper considers opportunities and challenges in shifting from using only chirographic and typographic tools in writing practice to utilising methods from the oral tradition and other practices.

(Source: Abstract ICDMT 2016)