Adaptation of an artist's talk about the transition from making artist's books and zines to using the computer to create art work. First presented in 1998, adapted various times, but presented here in its original web design.
For the installation artist's conception of the relationships between discreet elements with in a space, for the collage artist's lust for the hybrid, for the writer's quest for the potential for the presentation of the non-linear narrative - the web provides the ultimate terrain.
[I]n many electronic works one is surprised to learn of the extent to which constituents and processes of a work were produced with extensive programmatic effort not apparent to the aesthetic experience of the work.