tavit

By Alvaro Seica, 22 September, 2016
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ISBN
9780262034517
Pages
275
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All Rights reserved
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Approved by librarian
Abstract (in English)

This book offers a decoder for some of the new forms of poetry enabled by digital technology. Examining many of the strange technological vectors converging on language, it proposes a poetics appropriate to the digital era while connecting digital poetry to traditional poetry’s concerns with being (a.k.a. ontological implications). Digital poetry, in this context, is not simply a descendent of the book. Digital poems are not necessarily “poems” or written by “poets”; they are found in ads, conceptual art, interactive displays, performative projects, games, or apps. Poetic tools include algorithms, browsers, social media, and data. Code blossoms into poetic objects and poetic proto-organisms. Introducing the terms TAVs (Textual-Audio-Visuals) and TAVITS (Textual-Audio-Visual-Interactive), Aesthetic Animism theorizes a relation between scientific method and literary analysis; considers the temporal implications of animation software; and links software studies to creative writing. Above all it introduces many examples of digital poetry within a playful yet considered flexible taxonomy. In the future imagined here, digital poets program, sculpt, and nourish immense immersive interfaces of semi-autonomous word ecosystems. Poetry, enhanced by code and animated by sensors, reengages themes active at the origin of poetry: animism, agency, consciousness. Digital poetry will be perceived as living, because it is living. (Source: The MIT Press)

Pull Quotes

Consider this book a semipopulist decoder for some of the new forms of poetry emerging. (2016: 1)

Creative Works referenced
Critical Writing referenced
By Patricia Tomaszek, 4 July, 2011
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Presented at Event
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Abstract (in English)

Digital poetry is a multimedia hybrid-art-form, a subset of visual language fusing with digital technology, increasingly mediated by networks. Contemporary poems are animated interfaces; and they often utilize dynamic interactive typography superimposed over video, generative or 3D environments. A brief list of the disciplines involved: visual art, sound composition, literature, media studies, computer programming.

Multimedia-hybrid digital poetry means that the term ‘text’ is insufficient.
Future theorists will require terminology specific to the domain, I suggest:

-TAV (text-audio-visual)
- TAVT (a tav in a 3D territory)
- TAVIT (an interactive tavt)

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