gesamtkunstwerk

By Scott Rettberg, 26 March, 2012
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Abstract (in English)

English version of the review published in Norwegian as "Maskiner og parabler" in Vagant 3/2010.

A review of Steve Tomasula and Stephen Farrell's TOC: A New Media Novel.

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tomasula_toc.pdf (101.86 KB)
Creative Works referenced
By Scott Rettberg, 25 March, 2012
Publication Type
Translator
Year
Publisher
Series
Pages
14-15
Journal volume and issue
3/2010
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All Rights reserved
Record Status
Abstract (in English)

A review of Steve Tomasula and Stephen Farrell's TOC: A New Media Novel.

Description in original language
Abstract (in original language)

En diskusjon av Steve Tomasula and Stephen Farrells TOC: A New Media Novel.

Pull Quotes

Historien er en meditasjon over to ulike klassiske ideer om tid: Chronos, tid slik vi fornemmer at den progressivt folder seg ut, ok Kairos, ideen om tid som sentret omkring øyeblikk av en saerlig uforanderlig betydning.

Creative Works referenced
By Patricia Tomaszek, 21 September, 2011
Publication Type
Language
Year
Pages
1-18
Journal volume and issue
5
License
All Rights reserved
Record Status
Abstract (in English)

In Grammophone, Film, Typewriter, Friedrich Kittler envisioned a digital future of demediation: all traditional differences between media and mediations would be ended in a fusion of digital numbers. Kittler’s vision, I argue in my paper, is premediated by Richard Wagner’s artwork of the future: despite their differences, both stage the dream of a multimedial future in which monomediality or medial compartmentalization is effectively aufgehoben. This idea of premediation is further explored by comparing Wagner’s music drama’s to digital multimedia works and events of the 1990’s and early years of our twenty-first century that try to fuse words, bodily gestures, sounds, and images.

Abstract (in original language)

Dans Grammophone, Film, Typewriter, Friedrich Kittler annonce un futur numérique qui voit les différences traditionelles entre les divers média et des médiations fusionner dans des chiffres numériques. Dans cet article, je défends la thèse selon laquelle la vision de Kittler est "pré-médié" par les oeuvres d'art de Richard Wagner. Cette idée du "pré-mélange" ou de la "pré-médiation" est explorée ici à travers la comparaison entre les opéras de Wagner et les oeuvres multimédia qui essaient de mêler des mots, des expressions et des gestes du corps, des documents audio et des images.