English version of the review published in Norwegian as "Maskiner og parabler" in Vagant 3/2010.
A review of Steve Tomasula and Stephen Farrell's TOC: A New Media Novel.
English version of the review published in Norwegian as "Maskiner og parabler" in Vagant 3/2010.
A review of Steve Tomasula and Stephen Farrell's TOC: A New Media Novel.
A review of Steve Tomasula and Stephen Farrell's TOC: A New Media Novel.
En diskusjon av Steve Tomasula and Stephen Farrells TOC: A New Media Novel.
Historien er en meditasjon over to ulike klassiske ideer om tid: Chronos, tid slik vi fornemmer at den progressivt folder seg ut, ok Kairos, ideen om tid som sentret omkring øyeblikk av en saerlig uforanderlig betydning.
In Grammophone, Film, Typewriter, Friedrich Kittler envisioned a digital future of demediation: all traditional differences between media and mediations would be ended in a fusion of digital numbers. Kittler’s vision, I argue in my paper, is premediated by Richard Wagner’s artwork of the future: despite their differences, both stage the dream of a multimedial future in which monomediality or medial compartmentalization is effectively aufgehoben. This idea of premediation is further explored by comparing Wagner’s music drama’s to digital multimedia works and events of the 1990’s and early years of our twenty-first century that try to fuse words, bodily gestures, sounds, and images.
Dans Grammophone, Film, Typewriter, Friedrich Kittler annonce un futur numérique qui voit les différences traditionelles entre les divers média et des médiations fusionner dans des chiffres numériques. Dans cet article, je défends la thèse selon laquelle la vision de Kittler est "pré-médié" par les oeuvres d'art de Richard Wagner. Cette idée du "pré-mélange" ou de la "pré-médiation" est explorée ici à travers la comparaison entre les opéras de Wagner et les oeuvres multimédia qui essaient de mêler des mots, des expressions et des gestes du corps, des documents audio et des images.