digitalization

By Lene Tøftestuen, 24 May, 2021
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Abstract (in English)

Reviewing the history of computing, the educational potential of new ways of knowledge representation and new literary affordances have sparked many influential ideas and reform efforts, spanning from “frantic systems” (Nelson, 1970) to constructionist discovery learning (Papert, 1993) to the reconfiguration of literary education (Landow, 2006, ch. 7). Yet, the current usages of electronic literature in education arguably fall behind those early anticipations. Therefore, this paper explores the wider educational and social entanglements that withhold electronic literature from entering classrooms in the context of current technology transformations. Considering the recent pandemicrelated global upsurge of the digitalization of educational systems, the mere lack of supply of digital devices and equipment will cease to be the main obstacle for the adoption of electronic literature in K12 classrooms. Nonetheless, the question shifts to what imaginaries and discourses shape (and limit) the use of new digital literary affordances. Reviewing current trends, three issues are identified. These concern (1) fixations of technological disruption, (2) literacy learning objectives and (3) the marginalization of teaching. The focus on technological disruption (and solutionism) refers to a tendency for innovators to overly emphasize particular technological aspects and to become fixated on their “disruptive” benefits while disregarding the need for cultural and artistic conventions and communities of education practices to grow within the digital medium. Secondly, the problematization of learning objectives relates to a prioritization of basic skills and 21st century workforce preparation while neglecting the need to address new critical literacy practices. Rather than responding with a restricted, preservationist stance limited to paper-based literacy, educators and authors may find ways of combining material affordances and electronic literature to introduce wider literacy conceptions in educational practice. In a similar vein, the marginalization of teaching is concerned with how technology is being used to quantify, classify and control teaching practices within new regimes of digital governance. In other words, teachers are being increasingly framed as technicians and behavioral managers in place of enhancing their role as “cyberbards” (Murray, 2016). Given that some of the issues raised correspond to known problems in the field of electronic literature, they also provide opportunities for further transdisciplinary research into the production and adaptation of electronic literature for educational purposes.

(Source: the abstract of the work)

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By Maya Zalbidea, 28 July, 2014
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Public Domain
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Abstract (in English)

lobalization is a process of enormous proportions that alters and reconstructs the cultural map of the world by introducing new ways of creating, investigating and teaching in every area of knowledge. The electronic resources available to us necessarily modify the way we think and act. In view of the double process of globalization and digitalization underway at the start of the twenty-first century, the ICLA/AICL created, in the year 2005 and with the support of its President, Dr. Tania Franco Carvalhal, the Research Committee on Comparative Literature in Digital Age (CLDA). The general aim of this Committee is to study the relationships of interference, displacement and intertextuality in hypermedia among different literatures in order to develop a clearer picture of new supports for transliterary and plural identities.

By Sissel Hegvik, 7 March, 2013
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All Rights reserved
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Abstract (in English)

An answer to the Danish Ministry of Culture for their project "Art in the Networked Society".
Follow the discussion with the Ministry of Culture online: http://kum.dk

Abstract (in original language)

"Kulturministeriets arbejdsgruppe omkring "Kunsten i Netværkssamfundet", indkaldte i foråret 2001 en række sagkyndige til at bidrage med hvert deres indlæg i debatten. Den foreløbige redegørelse blev offentliggjort udelukkende i elektronisk form 12/7 og vil blive opfulgt af et lukket debatmøde 28/8, hvorefter arbejdsgruppen fremlægger sin endelige rapport."
Følg diskusjonen online hos Kulturministeriet: http://kum.dk

Pull Quotes

Grundlæggende for mit begreb om digital litteratur er, at jeg betragter computeren som en skrivemaskine i bogstaveligste forstand.

Det er en litteratur, der altså bruger den digitale skrift, de digitale former i sine litterære eksperimenter for at finde ud af, hvad og hvordan de betyder, for at synliggøre dem og dermed hjælpe os til at læse den digitale medievirkelighed.

Opgaven for Kulturministeriet er at sørge for, at den levende litterære kultur flytter med i et digitalt netværkssamfund. At bringe det litterære, kunstneriske og kulturelle mere på banen, når der diskuteres IT-samfund - at støtte og synliggøre et litterært perspektiv.

By Søren Pold, 12 June, 2012
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Abstract (in original language)

E-bogen er blevet forsøgt lanceret flere gange i løbet af de sidste årtier og bogens død er ofte forudsagt. Uanset om bogen er døende, er litteraturens medier i opbrud, og derfor er der behov for en litteraturforståelse, som kan diskutere litteraturen som kunstform på tværs af medier og platforme. Her er der mulighed for at hente inspiration fra den digitale litteratur.Denne artikel tager udgangspunkt i analyser af to elektroniske bogformater og diskuterer, hvordan de lægger op til forskellige digitale litterære kulturer, hvilket har betydning for bl.a. bibliotekernes fremtid. Amazons Kindle lægger op til en form for ”kontrolleret forbrug”, mens Påvirket som kun et menneske kan være bruger det digitale til at understøtte læseoplevelsensintensitet. Bibliotekerne har som litteraturhuse interesse i en åben digital litteratur, der ikkekun er designet ud fra e-bogens forretningsmodel.