The application of cybertextual technologies to experimental poetics is the context for this brief exposition of my machine modulated literary work. I invoke theoretical issues of cybertext but these are not extensively explored. Instead, I raise issues crucial to the work described here — the role of (literary) text in cyberspace; silent reading in new visible language media; the confusions of computer as medium; the limitations of link-node hypertext; the shifting relationships between writer, reader and programmer; multi- and non-linear poetics; and the engagement of contemporary poetics with cybertext. The major part of the exposition then focuses on the work itself and certain of its future potentialities, with occasional reference to the more general, theoretical concerns.
(Source: Author's Abstract)