chemical

By tye042, 5 October, 2017
Author
Publication Type
Language
Year
Record Status
Abstract (in English)

Carol Stabile reviews Our Stolen Future.

Since the publication of Paul de Kruif’s Microbe Hunters in 1926, the genre of “scientific detective” stories has enjoyed a quiet but consistent level of popularity. Typically, these stories have functioned as celebrations of (or ideological guarantors for) the virtues of the scientific enterprise. This genre, however, properly belongs to an earlier era in the twinned history of science and industrialization: an era armed with certainty, rationality, and faith in scientific progress.

Pull Quotes

As much as we would like to see the “nonhuman world” as an actor or agent, certain simple facts remain: a human economic system is the source of the problem.

Description (in English)

Chemical Landscapes is a series of photograms by Mary Pinto. The photos suggest landscapes but are created entirely in the dark room, using only chemicals and a flashlight. For this project, I've written a series of "digital tales" suggested by the particular chemical landscape. I hope the relationship of language and narrative to the "tale" parallels the relationship of light and chemicals to the "landscape." The piece begins with a title page that serves as a navigation page. By clicking at various places on the page you're taken to one of the eight chemical landscapes. Once you arrive at a landscape, the digital tale fades in and then out, and you may click on the screen at any point to jump back to the navigation page. I have tried to time the fading in and out of the text so that it is almost impossible to read it all before it fades away. My hope is that the reader will recognize the necessity of jumping around in the text, picking up pieces of the tale to read and ignoring other pieces, thereby creating a different experience with each reading. If you think of reading a traditional story as a journey with a beginning, a middle, and an end, then reading a hypertext is like walking through a field: readers begin at any one of several different starting points, wander around as long as they like, and then exit wherever and whenever they choose. (Source: Author's description from ELC 1)

I ♥ E-Poetry entry
Screen shots
Image
Contributors note

Edward Falco, with photograms by Mary Pinto and design by Will Stauffer-Norris.