Originally I proposed a 20 min long performance called ThinkTalk with Rob Wittig – In it, we wanted to mix objects, voices and text live (using webcams) to compose something like a text opera with solos, dialogs, a choir and organic chaos. It should have been a meandering text collage with coincidences and contingency leading to unintentional meaning. - if you have an opportunity to invite us?Instead I will tell you about my relation to electronic literature and my struggles defining my artworks.
artist-talk
Bath Spa University
Corsham Court Campus
Corsham
SN13 0BZ
United Kingdom
After the success of MIX 2012, Bath Spa University is co-hosting a second MIX DIGITAL conference, in partnership with The Writing Platform. This intimate series of events will take place over three days at BSU’s Corsham Court campus, a Grade One-listed Jacobean mansion in the bucolic Wiltshire landscape. The first two days of the conference will mix academic papers with artist presentations; the third day will be a Making Day with a series of hands-on workshops.
Captured as a screencast, this video is a reading-screening and browse-walk-through "Errand Upon Which We Came", a hypermedia poem created by Stephanie Strickland with M. D. Coverley (2002).
The idea to create artist-screencasts of this kind emerged within the project "Electronic Literature as a Model of Creativity and Innovation in Practice" (ELMCIP) based at the University of Bergen: Authors would talk with an ELMCIP-partner and navigate through a selected work while sound and the cursor-movements on the screen would be recorded.
Aiming at preserving instructive author-readings in dialogue between author and an ELMCIP-partner, the project's aim was to provide both an orally annotated archival artifact, as well as a teaching resource for cross-referencing a respective work in the Knowledge Base.
On occasion of Stephanie Strickland's participation at an UiB-based ELMCIP-arrangement in 2011, Stephanie was invited to perform the first artist-screencast of this kind with UiB's PhD-candidate Patricia Tomaszek.
The exploration of the work's interface and navigational apparatus, the presentation, formal description, and reading of the work evolves from an ad-hoc conversation that advances in correspondence with the work's reading-progress.
Please note that the video (14:13mins) is unedited and presented as raw-material: while screen-casting software allowed for capturing the work's reading with the author's cursor movements processed on the work, audio from within the work at times supersedes and "over-writes" the author's voice.
Produced by Patricia Tomaszek in conversation with Stephanie Strickland, this screencast is available as part of a teaching resource created for the ELMCIP-Knowledge Base.
Source: Patricia Tomaszek