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By Yvanne Michéle…, 23 September, 2019
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ISBN
9780262611572
Pages
X, 204
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By Yvanne Michéle…, 23 September, 2019
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Year
ISBN
9780691044064
Pages
228
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Abstract (in English)

Marcel Gauchet has launched one of the most ambitious and controversial works of speculative history recently to appear, based on the contention that Christianity is "the religion of the end of religion." In The Disenchantment of the World, Gauchet reinterprets the development of the modern west, with all its political and psychological complexities, in terms of mankind's changing relation to religion. He views Western history as a movement away from religious society, beginning with prophetic Judaism, gaining tremendous momentum in Christianity, and eventually leading to the rise of the political state. Gauchet's view that monotheistic religion itself was a form of social revolution is rich with implications for readers in fields across the humanities and social sciences. Life in religious society, Gauchet reminds us, involves a very different way of being than we know in our secular age: we must imagine prehistoric times where ever-present gods controlled every aspect of daily reality, and where ancestor worship grounded life's meaning in a far-off past. As prophecy-oriented religions shaped the concept of a single omnipotent God, one removed from the world and yet potentially knowable through prayer and reflection, human beings became increasingly free. Gauchet's paradoxical argument is that the development of human political and psychological autonomy must be understood against the backdrop of this double movement in religious consciousness--the growth of divine power and its increasing distance from human activity. In a fitting tribute to this passionate and brilliantly argued book, Charles Taylor offers an equally provocative foreword. Offering interpretations of key concepts proposed by Gauchet, Taylor also explores an important question: Does religion have a place in the future of Western society? The book does not close the door on religion but rather invites us to explore its socially constructive powers

Source: Amazon.com

By Daniel Venge Bagge, 20 September, 2019
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ISBN
9780913966136
Pages
546
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Abstract (in English)

The Theory of Moral Sentiments is a 1759 book by Adam Smith. It provided the ethical, philosophical, psychological, and methodological underpinnings to Smith's later works, including The Wealth of Nations (1776), Essays on Philosophical Subjects (1795), and Lectures on Justice, Police, Revenue, and Arms (1763) (first published in 1896).

Source: wikipedia.com

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The Theory Of Moral Sentiments was a real scientific breakthrough. It shows that our moral ideas and actions are a product of our very nature as social creatures. It argues that this social psychology is a better guide to moral action than is reason. It identifies the basic rules of prudence and justice that are needed for society to survive, and explains the additional, beneficent, actions that enable it to flourish.

Self-interest and sympathy. As individuals, we have a natural tendency to look after ourselves. That is merely prudence. And yet as social creatures, explains Smith, we are also endowed with a natural sympathy – today we would say empathy – towards others. When we see others distressed or happy, we feel for them – albeit less strongly. Likewise, others seek our empathy and feel for us. When their feelings are particularly strong, empathy prompts them to restrain their emotions so as to bring them into line with our, less intense reactions. Gradually, as we grow from childhood to adulthood, we each learn what is and is not acceptable to other people. Morality stems from our social nature.

Justice and beneficence. So does justice. Though we are self-interested, we again have to work out how to live alongside others without doing them harm. That is an essential minimum for the survival of society. If people go further and do positive good – beneficence – we welcome it, but cannot demand such action as we demand justice.

Virtue. Prudence, justice, and beneficence are important. However, the ideal must be that any impartial person, real or imaginary – what Smith calls an impartial spectator – would fully empathise with our emotions and actions. That requires self-command, and in this lies true virtue.

(Source: Adam Smith Institute)

By Daniel Venge Bagge, 20 September, 2019
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Language
Year
ISBN
0674212770
9780674212770
Pages
613
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Abstract (in English)

Distinction: A Social Critique of the Judgement of Taste is a 1979 book by Pierre Bourdieu, based upon the author's empirical research from 1963 until 1968. A sociological report about the state of French culture, Distinction was first published in English translation in 1984. In 1998 the International Sociological Association voted Distinction as one of the ten most important sociology books of the 20th century.

(Source: Wikipedia)

By Daniel Venge Bagge, 20 September, 2019
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ISBN
978-0374521608
Pages
x, 67
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Abstract (in English)

What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard

(Source: Amazon)

By Gesa Blume, 20 September, 2019
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Year
Publisher
ISBN
9783854155270
Pages
223
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All Rights reserved
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Description in original language
Abstract (in original language)

Digitale Poesie beschäftigt sich künstlerisch mit Sprachgebrauch unter den Bedingungen und Möglichkeiten von Computertechnologie. Ein Rückblick auf diese Sprachkunst zwischen den Künsten bedeutet zweierlei: Zum einen wird davon ausgegangen, dass sie als künstlerisches Programm wenn nicht abgeschlossen, so jedenfalls zu einem guten Teil historisch geworden ist. Zum anderen versammelt dieses Buch Texte, die der Verfasser seit 1997 als teilnehmender Beobachter zum forschenden und poetologischen Diskurs digitaler Poesie beigetragen hat, vermittelt also auch verschiedene Interessen und Argumentationsweisen aus diesem Zeitraum. Dabei geht es um Themen wie die soziale Konstruktion der Gattung digitale Poesie, ihren Bezug zu poetischen Vorläufern, ihren gelegentlichen Hang zum Komischen oder auch die Entwicklung eines einzelnen Künstlers.[Verlagsbeschreibung]