Consider a work from Shakespeare. Imagine, as you read it, being able to call up instantly the Elizabethan usage of a particular word, variant texts for any part of the work, critical commentary, historically relevant facts, or oral interpretations by different sets of actors. This is the sort of richly interconnected, immediately accessible literary universe that can be created by hypertext (electronically linked texts) and hypermedia (the extension of linkages to visual and aural material).The essays in Hypermedia and Literary Studies discuss the theoretical and practical opportunities and challenges posed by the convergence of hypermedia systems and traditional written texts. They range from the theory and design of literary hypermedia to reports of actual hypermedia projects from secondary school to university and from educational and scholarly to creative applications in poetry and fiction.
Book (collection)
The recent evolution of western societies has been characterized by an increasing emphasis on information and communication. As the amount of available information increases, however, the user -- worker, student, citizen -- faces a new problem: selecting and accessing relevant information. More than ever it is crucial to find efficient ways for users to interact with information systems in a way that prevents them from being overwhelmed or simply missing their targets. As a result, hypertext systems have been developed as a means of facilitating the interactions between readers and text. In hypertext, information is organized as a network in which nodes are text chunks (e.g., lists of items, paragraphs, pages) and links are relationships between the nodes (e.g., semantic associations, expansions, definitions, examples -- virtually any kind of relation that can be imagined between two text passages). Unfortunately, the many ways in which these hypertext interfaces can be designed has caused a complexity that extends far beyond the processing abilities of regular users. Therefore, it has become widely recognized that a more rational approach based on a thorough analysis of information users' needs, capacities, capabilities, and skills is needed. This volume seeks to meet that need.
From a user-centered perspective -- between systems and users -- this volume presents theoretical and empirical research on the cognitive processes involved in using hypertext. In so doing, it illustrates three main approaches to the design of hypertext systems:
*cognitive, which examines how users process multilayered hypertext structures;
*ergonomical, which explores how users interact with the design characteristics of hardware and software; and
*educational, which studies the learning objectives, frequency and duration of hypertext sessions, type of reading activity, and the user's learning characteristics.
This volume also tries to provide answers for the questions that have plagued hypertext research:
*What is hypertext good for?
*Who is hypertext good for?
*If it is useful for learning and instruction, then what type?
*What particular cognitive skills are needed to interact successfully with a hypertext system? Anyone interested in the fields of computer science, linguistics, psychology, education, and graphic design will find this volume intriguing, informative, and a definitive starting point for future research in the field of hypertext.
Tom przynosi rozprawy będące wynikiem interdyscyplinarnej dyskusji, w której udział wzięli zarówno badacze (kulturoznawcy, estetycy, literaturoznawcy, językoznawcy), jak i praktycy (twórcy i tłumacze) zainteresowani liberaturą, e-literaturą, cyfrowymi narracjami, sztuką zmediatyzowanego słowa oraz problematyką kultur internetu. Pośród włączonych do tomu artykułów znalazły się teksty o charakterze ogólnym (ich autorzy starają się wypracować aparat pojęciowy adekwatny do przemian, jakim w kulturze kształtowanej przez media elektroniczne i zjawiska konwergencji ulega szeroko definiowana piśmienność, medium książki, kategoria czytelnika, narracja ), jak i teksty rozpatrujące poszczególne dzieła i strategie twórcze (projekty Pedra Meyera, Marka Ameriki, Wojciecha Bruszewskiego, Stephanie Strickland, Toma Phillipsa i innych). Książka adresowana jest nie tylko do środowiska akademickiego, ale i do szerszego grona czytelników. Może być wykorzystywana w dydaktyce akademickiej na studiach kulturoznawczych, medioznawczych, filologicznych, a także na uczelniach artystycznych.