Abstract (in English)
Jeneen Naji describes Chris Funkhouser’s Press Again and Sonny Rae Tempest’s Famicommunist Poetics as examples of “the UnderAcademy style” begun by Talan Memmott. At the same time, within the context of post-digital publication, Naji explores concepts like “transcreation” and “translation” insofar as the two digital practitioners have conveyed experimental e-texts into print.